Wednesday, November 30, 2011

Decoded: Hip-Hop's memoir



Jay-Z released his book, Decoded in 2010. The emcee created a compilation of memoir and deconstructed lyrics that genuinely encompass hip-hop. He writes the book inexplicitly as a defense of hip-hop to the older generation that has always hated on the music.  In other words, the civil rights generation, essentially our parents, typically disregard hip-hop as an inferior art form because it is rooted in sampling their generation’s music. This new art form was a completely new sound, for a completely new generation.

The book discusses many of Jay-Z’s most infamous tracks in great detail. The book explains each verse in an organized manor that challenges the reader to think more deeply about each song. The epilogue sums up the theme of the book. Jay-Z explains his relationship with Oprah, a strong, vocal skeptic of hip-hop. His reflection of their friendship serves as a vehicle for defending the music to all the older skeptics, and ultimately summing up the entire message of the book. Jay-Z declares that hip-hop’s deeper messages get undermined if the listener fails to fully explore the lyrics. He juxtaposes his usage of the n-word with Maya Angelou, the poet and Toni Morrison, the novelist who both us the dreaded n-word. Oprah has always been an advocate of these writers, yet disregards hip-hop for incorporating the same type of language as the poet and novelist. The difference is, the hip-hop narrative is backed with sweet beats that sound unfamiliar to Oprah. Jay-Z is successful in defending his defense because of the stories he tells, and the lyrics he explains.

For anyone who loves hip-hop, this is a necessary read. For anyone that is a skeptic of hip-hop, this is also a necessary read. And for anyone who adores music, I suggest this book to you too. 

Jay-Z, the New face of the 1%?

Washington Post Article


The Occupy Wall Street movement has been growing with increasing momentum. The more the movement grows, the more celebrities are capitalizing on it's potential to be marketable. Jay-Z has become a target for criticism because of a new "Occupy All Streets" T-shirt that was released by his Roc-A-Wear line. In response, artists Daniel Edwards, who is a big occupy supporter, created a sculpture in reaction to the T-shirts. Heres what he had to say....



 “I think Jay-Z has made himself a face of [the] Wall Street that Occupiers are protesting against. Maybe Jay-Z is striving to be in the one percent? Which is why I chose the composition of a totem pole because I thought it would resemble the number one. Rap stars who turn ‘Scrooge’ have to suffer some damage to their street credibility.”




The sculpture is essentially a totem pole of heads with Jay-Z's being the biggest at the base. On top of the rappers head is a variety of cartoon characters that represent greed and being money hungry. Although I agree with the criticism that Jay-Z is a bit crazy to think it would be cool to create t-shirts with the occupy logo on it and not support the movement with money. However with that said, Jay-Z and Russell Simmons have teamed up and are planning a concert to benefit the movement. At the end of the day, Jay-Z grew up in the Marcy projects in Brooklyn. He has always written music for the 99% and in no way, shape or form do I think that Jay-Z is striving to be in the one percent, because quite frankly he already is. And his track record for his whole life shows that he does support the 99%. 

COMMON "SWEET"


Common Drops a new hot Track and Hot new Video!

Wednesday, November 16, 2011

ASAP ROCKY TOURING WITH DRAKE

ASAP Rocky recently signed a $3 million contract with Sony. To put this in perspective, Drake had labels battling over him and he ended up signing a $2 million contract. After ASAP Rocky's first single, "Purple Swag" the Harlem native landed a spot on Drake's Club Paradise tour. ASAP Rocky explains...

"It came about because Drake added me to the tour. He said he was a fan of the music and he reached out to me and now we goin' on tour."

ASAP Rocky is a newcomer to the game but he's quickly headed towards the top. He incorporates southern sound while maintaining his New York swag.  He says, "As far as music, I listen to everybody....from Kid Cudi to Ol' Dirty Bastards..."

In short, keep a look out for this youngin'....he's on his way to making a big name for himself and he's kicking it off with the Club Paradise tour.

DOWNLOAD HIS MIXTAPE HERE...

ASAPROCKY

Wednesday, November 9, 2011

Something out of Nothing

The other day I had the chance to go check out the Rebel Diaz Art Collective, a Hip-Hop community center in the South Bronx. The center was started by a few young Hip-Hop artists who were basically tired of bitching about all the social issues effecting their communities and decided to act. The center is an old candy factory that includes a studio, classroom equipped with mac laptops, a small outdoor deck and a stage room. All the walls had amazing graffiti on them, done by a professional graffiti group. I was able to eat lunch with a few of the directors in the studio and I found out a few amazing things about this community center....

For starters, the oldest director of the center is 31, and the average student is between 18-21 (although they do have younger kids as well, the youngest being 14). Essentially it is all young adults, teaching fellow young adults anything to do with Hip-Hop. The center teaches editing, producing, MC'ing, performing, creating art and discipline. It is rare to have a successful program without any old heads. The  result is a vibe that you are with your friends, learning from friends as opposed to the typical teacher-student relationship. Furthermore they discussed the idea of horizontal leadership. In other words if you are working there, at any point in time, the other directors may not be there because they're doing a show or something, and you have to step in as the boss. Everyone shares the responsibility of being a leader which requires a huge amount of trust among these guys.

The second amazing part about this studio is how it has evolved. This group of guys started from nothing, and are now doing great things. And that is what Hip-Hop is! The music came out of the South Bronx during a time where everything was being taken away from the community, the music literally came out of a disastrous time for the South Bronx. This center was able to win a number of awards to build up their studio. They were lucky to find this abandoned building to start the center. And there an awesome group of dudes who make socially and politically conscious music.

They have open mic every Friday...heres the link to their site

RebelDiazAC


Here's a music video from one of the Pioneer's of the center....


Wednesday, November 2, 2011

LEAK OF WALE'S NEW ALBUM AMBITION

AMBITION CLICK HERE


Being from DC has made the anticipation of Wale's new album dropping huge. I've been a fan of Wale for a bit now, and after the countless singles and tight mixtapes he has put out, I expected to be blown away with his first album. Unfortunately, I wasn't. Although he has a few hot tracks like Lotus Flower Bomb and That Way as well his track with Kid Cudi, overall the album sounded like a mixtape.

Ambition lacks a strong theme, any interludes or introductions. He plays the DC sound (Caribbean influenced HipHop) but he doesn't do it consistently through-out the album. I listened to the album from start to finish, and by the end I felt robbed of great talent and good music. The same way I felt about Tha Carter IV. My only hope is that his next album makes up for this one.

Wednesday, October 26, 2011

Rihanna New Video "We Found Love"



Rihanna's new music video will surely sturr up a number of responses. I can see it now, the concerned mothers of the world speaking out against having the glamorized sex, drugs and unhealthy relationships put on full blast for their younger girls to soak up. I'll give these mothers a smidge of credit for their concern. BUT....at the end of the day a video like this is powerful because so many girls are able to relate to it. There is a real rawness to this video that hasn't yet been shown from Rihanna (except for maybe her man down video). When is the last time a music video was made featuring the artist throwing up? In other words, Rihanna, the sex symbol of our generation, is seen extremely vulnerable in this video, a move that most artists would not do, yet has a powerful effect.

Aside from the fact that this video offers a raw element that creates it's sense of reality and relatability, the song is a banger. This will be bumpin' in clubs and parties for a long time. Rihanna, needless to say, your bad girl mentality has produced another hit. The thing is, the video makes the song memorable.

Wednesday, October 12, 2011

Wednesday, October 5, 2011

The Making Of a Good Show

I went to two pretty bad HipHop shows recently which made me realize what is necessary for a successful performance. The first Show I went to was Akua Naru, a female MC with a live band. She has a Erykah Badu meets the Roots meets Lauryn Hill type feel. She was excellent, and her band was extremely talented. Unfortunately the show had a number of problems. For starters, it was hosted at Fordham University in a big basement room. Having a live band in a small room led to the instruments overpowering Akua's voice because the sound was bouncing off the walls and low ceiling. Then they had all the lights on so that the audience couldn't loose themselves in the music because they were just as bright as the performer. Lastly, the worst part about the show....there were seats. No one can jam sitting down. Essentially the atmosphere killed the show.

The second show I went to was a SlickRick show in the Boogie Down. This show had immense potential as well. The venue was unbelievable, and the crowd was full of true HipHop fans. The problem was SlickRick indulged a little to heavily in whatever vice he prefers before going on stage.  Needless to say he didn't talk or connect to the audience at all. He flew through his set and was very hard to understand. If a performer can't connect to the audience, the energy is only one way, and can only last for so long.



Moral of the story, a good show requires a good atmosphere created by the venue, and a performer that stays live and connected.

Tuesday, October 4, 2011

Three Biggest HipHop Albums of 2011

Watch The Throne, the Jay-z and Kanye album lived up to the expectations of having one of the arguably best beat maker, Ye, coupled with the best mc, Hov of this generation. The album alternates between tough beats with raw raps that disregards a commercial appeal to optimistic, radio bound tracks. One of the hottest tracks on the album, "New Day" expresses both Kanye and Jay's ideology on raising a son. The track makes references to Bush's reaction to the disaster of Hurricane Katrina, West says he'll raise his son "republican so they know he like white people"while Jay reflects on his own childhood "My dad left me, and I promised never to repeat him".


Tha Carter IV, Lil Wayne's highly anticipated album dropped disappointingly. It seems as though Weezy got to comfortable in claiming to be king of the game. His ninth album is filled with sloppy lines like "Tote tools like mechanics, Mechanisms" (President Carter) and "I'm shooting for the stars/ Astronauts dodge bullets" (Abortion). Its not an album that you can sit down and listen to the whole thing through and through again. It's an album you jump around, the flow of the track list is insignificant. Granted the album isn't trash, it simply doesn't live up to the potential Weezy has.



Cole World: The Sideline Story , J. Coles first album is incredible. He is technically excellent and he raps from the heart. Cole is able to pack together slick, clever lines over beats that eloquently emphasize each punch. He says "I've got the nerds rapping hard shit/dummies rapping smart shit", and couldn't be a truer statement. Cole doesn't boast about being the best rapper, having the biggest chains or fucking the most girls, but he doesn't shy away from making it known that he is one of the smartest mc's out there.

Monday, September 19, 2011

A Run in With Rev Run

On my way home from Texas I had the pleasure of sharing a flight with the notorious Run-DMC. After getting over the pure shock and excitement of being in the mere presence of such a figure in the evolution of hip-hop I conjured up the confidence to ask him one question. I asked him, "how would you define a sell-out rapper"? I brought up a Gap ad Common did a few years back as an example of a rapper "selling out". When that commercial aired my fellow HipHop friends were disappointed to see Common, an MC who has paved his way by sticking to the roots of HipHop, essentially always Keepin' it real, using the image of HipHop to promote Gap to make a few bucks (although I admit I don't consider common a sell-out, I figured it was a good example that wasn't so typical). Run's response..."There are none, poetry is poetry". A response I had no time to rebut as I was quickly kicked out of first class.

I was disappointed in such an answer because quite frankly it sounded like a cop-out.  How can he consider lyrics such as "Superman that Hoe" poetry? Furthermore, how can he consider terrible rap that strays so far from the roots yet is able to be sold because the artist calls it HipHop, not a sell-out? How can he consider rappers that create a fake persona to sell records not a sell-out? Unsatisfied with such an answer I searched elsewhere and heres the best thing I came up with....

The answer to what makes a rapper a sell-out artist....ONLY THE ARTIST REALLY KNOWS

Tuesday, September 13, 2011

Cole World: The Sideline Story Debuting Tue, 09/27/2011

J Cole, a 24-year old North Carolina native is a breath of fresh air in a HipHop generation that desperately needs some "realness". He is the first artist to sign to Jay Z's Roc Nation label and is successfully living up to the hype by approaching the game with an intellectual, raw feel. 
Any doubts of what J Cole is bringing to the game were quickly silenced by his first mixtape "The Warm-Up".  Cole's lyrical content covered it all, love, loss, hope and the untold story of a young kid growing up facing huge obstacles in pursuit of a dream. The mix-tape put J Cole on the map, and ever since fans have been patiently waiting for an album....


J Cole's highly anticipated album's release date is just around the corner! He surprisingly released the album's track list to his fans through his "Any Given Sunday" series. Some of these tracks have already been leaked for sometime now and they really highlight the "realness" of J Cole.


Track Listing:
1. Intro
2. Dolla and a Dream III 
3. Can’t Get Enough
4. Lights Please
5. Interlude
6. Sideline Story
7. Mr. Nice Watch (Feat. Jay-Z)
8. Cole World
9. In the Morning (Feat. Drake)
10. Lost Ones
11. Nobody’s Perfect (Feat. Missy Elliott)
12. Never Told (prod. by No I.D.)
13. Rise and Shine
14. God’s Gift
15. Breakdown
16. Cheer Up

Bonus:
17. Nothing Lasts Forever
18. Work Out
19. Daddy’s Little Girl